Castlegar & District Public Library

"When an ambitious female lawyer becomes the victim of harassment, she must decide what's more important: her family's safety or the rights she's fighting for. Set in Alabama in the early '80s, Family Law follows a young lawyer, Lucia, who is making a name for herself at a time when a woman in a courtroom is still a rarity. She's been the recipient of threats and vandalism for her work extracting women from painful and sometimes dangerous marriages, but her own happy marriage has always felt sheltered from the work she does. When her mother's pending divorce brings teenaged Rachel into Lucia's orbit, Rachel finds herself smitten--not just with Lucia, but with the change Lucia represents. Rachel is out-spoken and curious, and she chafes at the rules her mother lays down as the bounds of acceptable feminine behaviour. In Lucia, Rachel sees the potential for a new path into womanhood. But their unconventional friendship takes them both to a crossroads. When a moment of violence--a threat made good--puts Rachel in danger, Lucia has to decide how much her work means to her and what she's willing to sacrifice to keep moving forward. Written in alternating voices from Lucia and Rachel's perspectives, Family Law is a fresh take on what the advancement of women's rights looks like on the ground to the ordinary women and girls who imagine a world redefined. Addressing mother-daughter relationships and what roles we can play in the lives of women who aren't our family, the novel examines how we shape each other and how we make a difference. The funny, strong and yet tender-hearted female leads of Family Law illuminate a new kind of Southern women's fiction--atmospheric, rich, and with quietly surprising twists and nuances all its own."-- Provided by publisher.

"Sahvage has been living under the radar for centuries-and he has every intention of staying "dead and buried." But when a civilian female sucks him into her dangerous battle with an evil as ancient as time, his protective side overrides his common sense. Mae has lost everything, and desperation sets her on a collision course with fate. Determined to reverse a tragedy, she goes where mortals should fear to tread-and comes face-to-face with the Brotherhood's new enemy. She also discovers a love she never expected to find with Sahvage, but there can be no future for them. Knowing they will part, the two band together to fight against what Mae unknowingly unleashed-as the Brotherhood closes in to reclaim one of their damned, and the evil vows to destroy them all. . . "-- Provided by publisher.

"Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love's kiss. You've heard this before, haven't you? The handsome prince. The happily ever after. Utter nonsense. Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn't care, either. Until I met Princess Aurora. The last heir to Briar's throne. Kind. Gracious. The future queen her realm needs. One who isn't bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she...cares for me. Even though a power like mine was responsible for her curse. But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating -- and she can't stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it's what can lift it. Perhaps together we could forge a new world. Nonsense again. Because we all know how this story ends, don't we? Aurora is the beautiful princess. And I...I am the villain.."--Provided by the publisher.

Sarah Booth has traded in hosting this Christmas season for a road trip with her besties. Each little Delta town has a special Christmas activity, and Sarah Booth's bff and detective partner, Tinkie, has arranged to rent a limo for the gang and drive to Columbus, MS, to stay in a B&B. Visions of Christmas shopping, parade floats, and romantic rendezvous are already dancing in their heads. But Christmas cheer soon turns to Christmas fear when, at one event after another, people keep getting hurt. Christmas karaoke gets ugly when one singer's microphone gives her an electric shock. A party during a historic home tour ends with a fall down the stairs for one of Columbus's most disreputable 'players.' And when the woman who hires Sarah Booth to find the villain behind the so-called accidents is nearly killed with an arrow during a holiday mumming, Sarah Booth knows something more sinister is at work. The Christmas bells are ringing hauntingly in Columbus this year, and Sarah Booth and Tinkie -- with a little help from hunky Sheriff Coleman Peters, of course-are determined to catch the wrong-doers and ensure they receive nothing but coal in their stockings.

In the third book in the Mitford Murders series, lady's maid Louisa Cannon accompanies Diana Mitford into a turbulent late 1920s Europe. The year is 1928, and after the death of a maid at a glamorous society party, fortune heir Bryan Guinness seizes life and proposes to eighteen-year-old Diana, most beautiful of the six Mitford sisters. The maid's death is ruled an accident, and the newlyweds put it behind them to begin a whirlwind life zipping between London's Mayfair, chic Paris and hedonistic Berlin. Accompanying Diana as her lady's maid is Louisa Cannon, as well as a coterie of friends, family and hangers on, from Nancy Mitford to Evelyn Waugh. When a second victim is found in Paris in 1931, Louisa begins to see links with the death of the maid two years previously. Now she must convince the Mitford sisters that a murderer could be within their midst ... all while shadows darken across Europe, and within the heart of Diana Mitford herself.

"Abby Hubble lives in an unhappy home in the Sierra Nevada foothills where her father makes life miserable for her and her mother ... One day Abby witnesses a man dump a litter of puppies into the nearby river. Diving in to rescue all seven ... she takes them to an abandoned cabin ... Grieving widower Elliot Colvin, ... looking for solace, retreats to the hunting cabin ... What he discovers is not at all what he expected: seven puppies and one determined girl with an indomitable heart. As Abby and Elliot's friendship deepens, Abby imagines how much better her life and the puppies' lives would be if her mother were married to Elliot instead of her father"--

The body of a man shot through the head is disinterred by the roots of a fallen tree. A famous art critic is viciously murdered in a nearby house. Both deaths have occurred more than 70 years apart. Asked by a forensic archaeologist in Paris to take a look at the site of the former, Enzo Macleod quickly finds himself embroiled in the investigation of the latter, and two narratives are set in train - one historical, unfolding against a backdrop of real events in Occupied France in the 1940s; the other contemporary, set in a France going back into Covid lockdown in the autumn of 2020. At the heart of both is da Vinci's Mona Lisa. Tasked by de Gaulle to keep the world's most famous painting out of Nazi hands after the fall of France in 1940, 28-year-old Georgette Pignal finds herself swept along by the tide of history. Following in the wake of the Mona Lisa as it is moved from chateau to chateau by the Louvre, she finds herself both wooed and pursued by two Germans sent to steal it for rival patrons - Hitler and Goring. What none of them know is that the Louvre has secretly engaged the services of the 20th century's greatest forger to produce a duplicate of the great lady, one that even those who know her well find hard to tell apart. The discovery of its existence is the thread that links both narratives. And both murders.

"In recent years, nicotine has become as verboten as many hard drugs. The literary styles in this volume are as varied as the moral quandaries herein, and the authors have successfully unleashed their incandescent imaginations on the subject matter, fashioning an immensely addictive collection."--Provided by publisher.

Anna Sale wants you to have that conversation. You know the one. The one that you've been avoiding or putting off, maybe for years. The one that you've thought theyll never understand or do I really want to bring that up? or its not going to go well, so why even try? Sale is the founder and host of WNYCs popular, award-winning podcast 'Death, Sex, & Money', and in 'Lets Talk About Hard Things', she uses the best of what shes learned from her podcast to discuss the tough topics that all of us encounter.

Ellery Queen investigates a series of bizarre murders that lead to a mysterious religious cult.

The 1950s are on the horizon, and Archer is in dire need of a fresh start after a nearly fatal detour in Poca City. So Archer hops on a bus and begins the long journey out west to California, where rumor has it there is money to be made if you're hard-working, lucky, criminal -- or all three. Archer's first stop is a P.I. office where he is hoping to apprentice with a legendary private eye and former FBI agent named Willie Dash. He lands the job, and immediately finds himself in the thick of a potential scandal: a blackmail case involving a wealthy well-connected politician running for mayor that soon spins into something even more sinister. As bodies begin falling, Archer and Dash must infiltrate the world of brothels, gambling dens, drug operations, and long-hidden secrets, descending into the rotten bones of a corrupt town that is selling itself as the promised land -- but might actually be the road to perdition, and Archer's final resting place.

In the exclusive black beach community of Oak Bluffs on Martha's Vineyard, the three unofficial "goddaughters" of Amelia Vaux Tanner, successful women from different backgrounds, gather for one last summer together before Amelia moves to the south of France and gives her home to one of them.

"In her debut collection, internationally acclaimed writer Bolu Babalola retells the most beautiful love stories from history and mythology with incredible new detail and vivacity. Focusing on the magical folktales of West Africa, Babalola also reimagines Greek myths, ancient legends from the Middle East, and stories from long-erased places."-- Amazon.